Fallen relic of eros 
幽媾寺


Fallen relic of eros tries to fabricate a witch culture that focuses on eros, and explores the contradiction that love brings to human beings through sculptural installations, which is a struggle between desire and taboo.
Over time, witchcraft has established an additional language system beyond modern science. Witchcraft is a way of dealing with contradictions, a triumph of psychological fact by providing a place for imagination in the face of unattainable human desires. If the secular world on this shore is dominated by a top-down power system, then the witchcraft world on the other side is built by decentralized civil forces, and people of any identity can try to escape private and unexamined dilemmas through the power of witchcraft.
Eros is different from love and sexual desire, it is both spiritual and physical. The word impulse is a relatively accurate description, an impulse to connect with the other and even to integrate into the greater Other, an impulse to eliminate individuality, and every human being cannot escape it. Often, excess eros leads to a kind of violence that, at the individual level, leads to self-destruction or infatuation with the other; At the social level, this violence prevents the development of social organization and systematization and undermines the rational labor order. Morihara refers to a Japanese cuisine, which uses the male body as a serving instrument to practice the 
幽媾寺试图虚构一种关注爱欲的巫文化,通过雕塑装置探索爱欲为人类带来的矛盾性,它是一场欲望和禁忌之间的角力。

长久以来,在现代科学之外,巫术建立了额外的语言系统。巫术是处理矛盾的方式,在人类无可抵达的渴望面前,巫术提供了想象的场所,这是一种心理事实的获胜。   巫术亦是失权者的权力补偿,如果说此岸的世俗世界由至上而下的权力系统主导,那么彼岸的巫术世界即由去中心化的民间力量建造,任何身份的人可以借由巫术中的权力尝试脱离私人性的以及不被审视的困境。

爱欲区别于爱与性欲,它既是精神性的又是身体性的。冲动一词是相对准确的描述,一种渴望与他者产生连接甚至融入大他者的冲动,一种消除个体性的冲动,每一个人类都无法躲避它。  常常,过剩的爱欲导向一种暴力,在个体层面,这种暴力引发自毁或对他者的迷恋;在社会层面,这种暴力阻止社会组织化系统化的发展,破坏理性的劳动秩序。




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