Born in Sichuan, China in 2001.
My practice is concerned with how bodies and desires that resist incorporation into normative narratives are organized and processed within structures formed through the intersection of culture and power. It also considers how traditional cultural forms are reactivated under contemporary conditions, and how they regain efficacy when brought into contact with present social tensions.
Drawing both from public rituals embedded in Chinese tradition and from behavioral paradigms derived from childhood memory and the pornography industry, these materials are translated into ritual structures. Ritual functions here as an operational method rather than a representational form. States of affect or desire that are difficult to name—yet repeatedly inscribed onto the body—are staged and tested as conditions rather than expressions. These states are at once personal and widely shared. Formal languages drawn from Chinese cultural contexts, including the metaphorical logic of black-and-white imagery and traditional dispositifs such as banquets, witchcraft, and taboo, are continuously retranslated so that they no longer operate as symbols, but as active structures.
Rather than proposing liberation or resolution, my work exposes how mechanisms that appear natural continue to sustain structural forms of violence. It establishes conditions in which bodies, relations, and impulses that cannot be fully stabilized within public discourse are able to persist within the structures the work sets in motion.
My practice is concerned with how bodies and desires that resist incorporation into normative narratives are organized and processed within structures formed through the intersection of culture and power. It also considers how traditional cultural forms are reactivated under contemporary conditions, and how they regain efficacy when brought into contact with present social tensions.
Drawing both from public rituals embedded in Chinese tradition and from behavioral paradigms derived from childhood memory and the pornography industry, these materials are translated into ritual structures. Ritual functions here as an operational method rather than a representational form. States of affect or desire that are difficult to name—yet repeatedly inscribed onto the body—are staged and tested as conditions rather than expressions. These states are at once personal and widely shared. Formal languages drawn from Chinese cultural contexts, including the metaphorical logic of black-and-white imagery and traditional dispositifs such as banquets, witchcraft, and taboo, are continuously retranslated so that they no longer operate as symbols, but as active structures.
Rather than proposing liberation or resolution, my work exposes how mechanisms that appear natural continue to sustain structural forms of violence. It establishes conditions in which bodies, relations, and impulses that cannot be fully stabilized within public discourse are able to persist within the structures the work sets in motion.
生于2001年，四川南充。
我在实践中讨论难以被纳入秩序性叙事的身体与欲望，如何在文化、与权力交织的结构中被组织和处理。同时，我关注传统文化形式如何在当代社会的困境中被重新唤醒，并获得新的效力。
在挖掘中国传统公共仪式的同时，我也从童年经验与色情产业中提取行为范式，将其转化为仪式结构，使仪式作为一种综合而开放的艺术方法得以运作。那些难以被清晰命名、却反复作用于身体的情感或欲望状态——既是私人的，也具有高度的共通性——在我的实践中被操演与检验。我不断反思并转译中国文化中既有的形式语言，从黑白图像中的隐喻结构，到宴席、巫术与禁忌等传统装置方式，使其不再作为象征被再现，而成为可被操作的结构。
我的工作并不试图提供解放或解决方案，而是持续暴露那些看似自然、实则暴力的机制如何维持自身，并让无法在公开话语中充分成立的身体、关系与冲动，在作品所构建的结构中得以停留。
Exhibitions
我在实践中讨论难以被纳入秩序性叙事的身体与欲望，如何在文化、与权力交织的结构中被组织和处理。同时，我关注传统文化形式如何在当代社会的困境中被重新唤醒，并获得新的效力。
在挖掘中国传统公共仪式的同时，我也从童年经验与色情产业中提取行为范式，将其转化为仪式结构，使仪式作为一种综合而开放的艺术方法得以运作。那些难以被清晰命名、却反复作用于身体的情感或欲望状态——既是私人的，也具有高度的共通性——在我的实践中被操演与检验。我不断反思并转译中国文化中既有的形式语言，从黑白图像中的隐喻结构，到宴席、巫术与禁忌等传统装置方式，使其不再作为象征被再现，而成为可被操作的结构。
我的工作并不试图提供解放或解决方案，而是持续暴露那些看似自然、实则暴力的机制如何维持自身，并让无法在公开话语中充分成立的身体、关系与冲动，在作品所构建的结构中得以停留。
2023, I Walk Through The Night, Monere Lab, Chengdu, China
2024, “Plant-Human”Art Market, Chengdu Times Art Museum, Chengdu, China
2025, BUT,THERE ARE ALWAYS THOSE WHO ARE YOUNG:THE 6TH 1839 PHOTOGRAPHY AWARD, Chengdu Contemporary Image Museum, Chengdu, China
2025, Similar Strangers, The Good Rice Gallery, London, UK
2025,Day Dream:Halfway Between Here and Not, Unihood x2&Temperature Home, London, UK
2025, Plato’s Rave: Magnefire, ST George Garrison Church, London, UK
2025, Toast to the Void, Plant Room, London, UK
群展
2023 我在黑夜里穿行，提醒研究室，成都，中国
2024 “植物-人”艺术市集，成都时代美术馆，成都，中国
2025 但，总有人正年轻——第六届1839摄影奖获奖作品展，成都当代影像馆，成都，中国
2025 Similar Stranger，The Good Rice Gallery, 伦敦，英国
2025，白日梦：此地与彼方之间，Unihood x2&Temperature Home，伦敦，英国
2025，Plato’s Rave: Magnefire，圣乔治卫戍教堂，伦敦，英国
2025，Toast to the Void，Plant Room，伦敦，英国
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